The background of each layer is actually a giant version of the kanji on it's outer edge twisted at a random angle. Since the center of each stage is obscured by the inner stage that's the next closest to the center a lot of that information is obscured.
The funny thing is even though as class project it was far less than ideal I have nowhere near the amount of dismissing hatred for this as I would with one of the illustrations I normally do. Odd.
The Adobe Illustrator step guide I created and used. I should have done circular grounds instead of squares in the final piece. :( |
bristol, sumi ink |
This is a good example where preference clashes with the task at hand. I was really aiming for a somewhat centered, 'large print', transition. Because each circle obscures the center of the circle behind it this results in a less than optimal transition effect.
I thought about drawing each kanji multiple times along the edge of its respective layer but 1. I didn't have enough time to do that. 2. It seemed tacky.
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